"In a thousand years time, the remnants of the human race will flutter their gills, flap their flippers and declare this a pivotal moment in the decline and fall of global civilisation. I'm John Peel, he's Kid Jensen and this is Joy Division."
Mark looked up from his second bowl of Sugar Puffs as the camera rose above the crowd and the guitars crashed in. The band on stage looked like they really weren't happy to be there and the singer danced like a spaz, but the man with the guitar down at his knees looked cool. Mark watched them closely until the song ended, his spoon held forgotten in his hand, dripping milk onto his Superman pyjamas.
The rest of the program was pretty dull, but Mark knew that everyone would be talking about it in the playground in the morning so he did his best to memorise the order of the top ten. His mum hadn't gone out the week before and he'd spent the night in his room, and even though he'd listened to the new Top 40 on the previous Sunday, he'd felt left out of all the conversations. In the end he'd wound up talking to some of the younger kids and pretending he'd watched it.
Bucks Fizz were still number one and he waited to see if the girls ripped their skirts off again but it wasn't as exciting now that he knew it was coming, and you couldn't see anything anyway. He thought about playing with himself but Mel was asleep on the sofa and he didn't want to wake her in case she started crying again.
To be honest, he still wasn't sure if he was doing it right anyway. The older lads talked about it a lot but he couldn't just come right out and ask how to do it so he had to act like he knew what they meant, laugh along at their jokes and hope to pick up enough clues to work it out. Thinking about it was giving him a bonkon and Mel was all snuggled up with her teddy bear blanket, but he didn't want to risk it.
Instead, he got up, turned the telly off and switched on the radio. The newsreader was talking about the Russians again and he quickly silenced the volume. The news used to bore him, ten minutes of talking and no music, but now it terrified him. His mum made him show off to her friends by reading the newspaper out loud, and he liked it when their kids tried it and got all tangled up on the words, even though most of them were older than him. It made him feel good when his mum was proud of him, but even though he could read the words some of the stories made no sense. He'd asked his mum what they meant, why they would only get a four minute warning if the war started, and his mum had explained that if they had a war then there wouldn't be anywhere safe to run to so there was no point having any more time. He could still see the picture she'd drawn in the back of his maths book, a circle of shapeless blobs that he knew were the wrong shape for the countries they were meant to be and a mass of arrows criss-crossing from one country to the next. The 4 minute warning wasn't enough time to run away, she explained, but it was more than enough time for each country to launch their own missiles, so that if they had to die then they'd kill everyone else too. His mum said it was called M.A.D. and Mark agreed.
Ever since then, he'd had nightmares about nuclear war. He didn't actually know what the warning signal would sound like, so he lay awake at night, listening for it and panicking at every unexpected noise. He'd even been sent home from school because of his terror when the chemical factory down the road tested a new safety warning siren. While the rest of the class had carried on reciting their eight times table, Mark had started screaming and ran straight for the door. They brought him down in the playground and dragged him back inside, kicking and sobbing uncontrollably. It was only when he felt that a long enough time had passed that he finally calmed down a little and told them what was wrong. The teachers couldn't find his mum, thankfully, so they called his nan in and he went to her house for the night. Things always felt better when he was with his nan, but he knew that he would already be in enough trouble when his mum came home, so he didn't tell her or anyone that it was more than just the siren which had frightened him. Explaining M.A.D., his mum had told him that the aftermath of a nuclear war would be so bad that she wouldn't even wait for the bombs to fall. As soon as they gave the warning, she would kill Mel, Mark and herself so that none of them would have to suffer. When the siren sounded at school, he knew that if he didn't get home straight away then he would be left to die all alone.
But even that wasn't the worst outcome he could imagine. Far worse was the possibility that they would start the war while his mum was out at the bingo or the club and he was looking after Mel. Then it would be his job to look after her, the way he had to wash her hand and face and get her into her cot. He would have to make sure that she didn't suffer, but he really wasn't sure that he could do it; she cried enough when she bumped her head on the table. Like his mum said though, he was the man of the house now so he would have to start acting like it. He would have to find a way. He looked over at the still shape lying quietly on the sofa and made a silent promise to take care of her, whatever happened.
Shaking himself from his daydream, he pulled open the drawer in the living room cabinet and rummaged through the box of cassette tapes it held, a collection he had built up week by week, sitting poised with his fingers ready to press play and record when the DJ announced a song that he liked. More often than not he was too slow or they talked over the start, but the tapes still held enough of each song to be worth keeping. He slipped one of his current favourites into the Hi-Fi and pressed it into place with a satisfying ka-chik. He pressed play, ready for the grinding of gears which said that the ancient Grundig stereo had chewed another tape. The machine just hissed softly as the tape spooled across the heads, so he switched to playback mode and slowly increased the volume to just below the point where it was likely to wake Mel. She didn't even stir as The Jam began to play "Going Underground" and he boogied back over to the sofa, sat down on the floor with his back to his sister and reached for his school bag.
Pulling out a couple of exercise books, he briefly considered starting on his homework, then thought better of it, tossed them aside and pulled out his latest reading book. It was a risky decision though. If his mum came home alone she would go through his school books again, skimming through the pages and looking for the tell tale red ink and demanding an explanation for every "See me." Getting the homework done could save him from another night of screaming and slapping, or even worse, the cold fury with which she told him that he was wasting his potential and just just like his father. But she'd gone out with her hair done up and her new leather skirt on so it looked like she was going straight to the club after the bingo. That gave him an extra couple of hours, and The Borribles was far more exciting than fractions and the industrial revolution.
Later, as the C-90 ran out cutting Visage off mid song, Mark was no closer to doing his homework, and not that much closer to the end of The Borribles either. Instead he lay curled up on the floor between the sofa and the coffee table, the book still held loosely in his unconscious grip. He twitched slightly, almost imperceptibly, as his dreams shook once more to the sound of sirens.
This time he dreamt that he was alone in the park. It was night time and the street lamps glittered in the distance, promising warmth and the safety of companions. But between him and them lay the vast black expanse of empty, muddy playing fields, the skeletal remains of the shattered bandstand and the rusty, spiked steel fence which ringed the entire park. In broad daylight it would take him ten minutes to get from one end of the park to the other; there was clearly no way that he could make it home in less than four minutes in the pitch darkness. But as the banshee wail of the siren echoed around the bare trees, he began to run.
His heart pounding in his chest, muscles burning and tearing, stumbling on broken brickwork and sliding in the mud, he ran through the darkness. The sirens grew louder and more insistent, drowning out his pained breaths and anguished sobs.
Then it was silent.
The bomb hung in the air above him, frozen in the instant of explosion like a great silver star. It lit the world like a million flashbulbs and Mark saw a thousand frightened children caught in the glare, running through the park in every direction. As one being, they turned their tear-streaked faces to the new born sun and bathed in its cold radiance.
Instantly, every child became a cloud of drifting ash. In the midst of this swirling maelstrom, Mark knew that he was alone. Standing directly beneath the epicentre of the spreading blast wave, he understood that every speck of ash was another dead child, a floating ghost. Mel, his nan, his mum and every man she ever brought home. All gone. All dead. He had been left behind.
Now that it had happened, it no longer scared him. The light from the star reached every horizon, burning trees and cars and schools to soft swirling ash. The air around him was thick with ghosts and he felt them pressing against him, trying to share a little of his life. The dust cloud rippled as another shade drew near. The clear light and the thick clouds left Mark as blind as the complete darkness of a moment before, but there was a warmth and a sense of recognition to this latest ghost. He raised his arms toward sit and felt it enveloping him, lifting him from his feet and cradling him in its phantom arms.
"Nan?"
The ghost pressed him tighter, every fragment of its being suffused with love. Mark was alone in all the world and he would never be alone again. The world had ended and everything was perfect.
He woke to the sound of screaming, raising his head from the carpet just in time to see his mother's foot swinging towards him. He had no time to avoid it and the kick connected with his head. Everything went white and he raised his hands to cover his face, wet with blood and the first startled tears. Between his shaking fingers he saw his mum standing over him, clutching Mel to her chest. Her hair was a tangled mess and her makeup was smeared and streaked by recent tears but her eyes were dry and blazed with fury. Mel hung limp in her arms, the angry red V where her head had hit the table looking huge and angry against her too-pale skin. The teddy bear blanket had slipped from her tiny fingers and lay on the floor beside him. He lowered his guard to lift it towards her, thinking it would make everything better. His mum snatched it away, planted her foot against his chest and slammed him back against the sofa. As he fought for breath she knelt across his legs, pinning him down without even noticing. She screamed at him, her face inches from his, her breath hot with stale beer, cigarettes and panic.
"What did you do Mark? What did you do to your fucking sister?"
Notes
Saturday, 12 September 2009
Sunday, 30 August 2009
Absolute Beginners Part 3 : Let's Go!
Blue lit a smoke, looked at the monster standing between him and his friends and sighed.
"Bad dreams in the desert, coyote man."
Cody looked back at him, leering, his neck twisting round to an obscene degree. Blue heard the cracking of many small bones and winced; There was no coming back from that, but the boy-thing still stood there, grinning.
"You want some more, worm?"
The Nagual made a simple movement with his free hand and Blue fell to his knees, his heart pounding, sweat pouring from him. He felt as if he was burning up, every part of him ablaze, but he knew it was an illusion. He narrowed his eyes, focussed on the glowing ember at the tip of his cigarette and forced himself upright, smiling as he re-lit his cigarette.
"Come on then old man. Let's have it."
A way down the road, behind the shapeshifter, Felicity shook her head in dismay. He was a nice kid; A shame he had to go and get himself killed by acting like a dumb action hero. Cody threw back his head and howled.
Negative desert. Black sand, white sky, blood the colour of diamonds, cold green flames licking at his heels. Blue stands. Blue falls. Blue stood. Blue fell. The moon so low, like a dimple in the atmosphere, curving in to kiss the Earth. Smoke rising from footprints. Eyes as dead as John Wayne's. Cowboys and Indians and the cowgirl in the sand.
Cody growls the name of the place, "Zzyzx," and the desert explodes.
Makeshift closes her eyes, drops the name of her favourite deity and spreads her mind across the dawn, fighting the wolfman to bring in the light. With nothing else to go on, she reaches out to her friends with her thoughts.
Ari is limp and lifeless, caught in the strong grip of a walking corpse. Cody is long gone, his mind torn loose like wet tissue, wadded and tossed out of the taxi halfway between there and here. Blue is on his knees again, coughing up blood that makes him gag and retch, something ancient and wet sliding up his throat to be born in the dead sands. She flexes her thoughts, winds it back and over, and Blue is standing, smiling, lighting a smoke.
Hold for a heartbeat.
Hold for another.
Hold until your breath is gone and your lungs are about to burst. Let it go and Blue is falling.
"I will not let you fall." she promises, but the A-bomb winds of the nightmare desert tear her words from her blistered lips and shred them on the distant fallout shelter walls.
The time is now. The time is 1945. The times they are a-changin'. Speeding up, the mushroom cloud a spiralling whirlpool of oblivion which draws in everything in its wake, spinning them ever faster like an out of control fairground ride, the waltzers of doom. Scream if you want to go faster.
Cody steps forward, dragging Ari's heels through the dirt. He's barely human now, his hair a shaggy mane, his legs bent in all the wrong places. Smoke rises from his footprints, cold green flames licking at his heels. He laughs, low and guttural, a snarl of triumph.
Fliss holds her breath, holds everything together, then opens her eyes and smiles sadly at Blue, standing proud and strong at the end of the road. She can hold it no longer. The maelstrom bursts through, she loses her grip, and Blue is falling.
Blue falls. On his hands and knees, gagging and retching, trying not to look at the clumps of cancerous flesh which are staining the black Earth before him, he still can't help but wonder where the tumors are going as they drag themselves away into the darkness to start their own mutated reservation in the dry lake bed.
"Zzyzx!" Cody Wolfman calls the name again, howling gibberish to the fractured sky. The moon is so low, he reaches up one twisted paw and grazes the surface, obliterating historic bootprints. Dust drifts gently down upon his head, tickles his snout, and he sneezes.
In that instant, Fliss is at his throat. He walks like a man, she fights like a beast, expensive, exquisite orthodonture tearing through the rough pelt, hot blood splashing her porcelain cheeks. The Nagual lets out a howl of protest and knocks her away with his free hand. As she tumbles over, rolling backwards across the molten tarmac, the shapeshifter shifts his grip on Ari, then hurls her after her friend. The girls crash together and fall silent, and old Matus smiles his wolfish smile and wonders which of the little cihuapillis should get it first. He's always liked the look of Felicity, but the dark haired girl always seemed too stuck up for his liking, so maybe he should fuck her first, bring her down a notch or two? He's got plenty of time for both. He shuffles over to the girls, grabs a fistfull of Ari's hair in one hand, Fliss's ankle in the other and tenses, ready to spring up to the moon.
"If he moves, kill him."
Cody looks back at where Blue should be lying in a spreading pool of his own blood and filth and instead finds the boy standing. Smiling. Liting a smoke. At his side stands another, a man formed of diseased waste and dead flesh, twin guns in his hands, both cocked and trained on the wolfman. Blue nods at the stranger, then gives Cody a wolfish grin of his own.
"Coyote spirit, you up for a game of cowboys and Indians?"
The stranger steps forward, guns raised, and Matus drops the girls.
"Bishop..."
Pike smiled.
"Hokahe, Coyote."
A frozen instant, the dry hiss of a rattlesnake, then two cancerous slugs, fibrous and black, erupt from Pike's guns and slam into the wolfman's shoulders. He staggers, launches himself with a howl of fury and pain, lands with his jaws on the dead cowboy's throat. Only then does he realise that he's been played. Pike and his bunch are long gone, and they won't come back in any way but an ill advised remake. The thing beneath him isn't Pike Bishop, or even William Holden. It's Blue's reanimated tumour flesh, and it's still hungry. Surging up across the coyote's muzzle, the rapidly metastasizing cancer swarms across his face, blinding and suffocating him. It pours down his throat like a milkshake two months out of date, searing his stomach and spreading through his lungs untill they teem with malignant growths, swelling and rupturing and birthing successive generations of cancer. The black mass eats him from within and without, and the moon world withdraws from him forever.
Blue smoked, and smiled and stood. He blew a smoke ring which circled the slowly departing moon, then disappeared as the first rays of the rising sun burned scorched across the desert, eight hours late but never more welcome.
Fliss groaned, pulled herself upright, then rolled Ari to the recovery position.
"What happened?"
Blue shrugged.
"I'll tell you sometime. Is that a friend of yours?"
He nodded in the direction of a dust trail heading towards them at some speed, coming from the direction of the camp. Felicity cast her mind out and sighed.
"It's Midge. Late as usual."
"At least it saves us walking back - The taxi's well fucked."
He lit a fresh smoke, then held the pack out to Fliss. She took one, lit it and took a long pull, then blew out a cloud of smoke that obscured them from Midge, Ari and the eyes of all creation. Wasting no time, she wrapped her hand around the back of his neck and pulled him in close for a long, soft kiss. The pressure of her fingers on his skin was soothing and cool, the antithesis of the fevered battle, while the feeling of her tongue in his mouth was all he ever hoped and more besides. He knew in that instant that if anyone could ever save the world, it was her, and he would be with her every step of the way.
Stepping back, still stroking his neck, she smiled, placed the smoke between her moist lips and winked at him. Blue tried to match her cool, collected manner, but he had to fight his beaming grin back every step of the way.
"I thought you were too good for me?" he asked.
"Oh don't worry, I still am."
She watched the horizon, deep in thought, looking at something only she could see.
"You'll do for now though, and one day you'll leave us all behind."
He began to protest, but then the smoke cleared, the jeep pulled up alongside them and Ari was sitting up and moaning.
"Is anyone going to tell me what happened?"
Fliss and Blue looked at each other and burst out laughing. In the jeep, Midge looked at the trio, their battered, bloody faces, their tattered clothes and the smoking ruin of the taxi and sighed.
"Why do I never get asked on these nights out?"
Notes
"Bad dreams in the desert, coyote man."
Cody looked back at him, leering, his neck twisting round to an obscene degree. Blue heard the cracking of many small bones and winced; There was no coming back from that, but the boy-thing still stood there, grinning.
"You want some more, worm?"
The Nagual made a simple movement with his free hand and Blue fell to his knees, his heart pounding, sweat pouring from him. He felt as if he was burning up, every part of him ablaze, but he knew it was an illusion. He narrowed his eyes, focussed on the glowing ember at the tip of his cigarette and forced himself upright, smiling as he re-lit his cigarette.
"Come on then old man. Let's have it."
A way down the road, behind the shapeshifter, Felicity shook her head in dismay. He was a nice kid; A shame he had to go and get himself killed by acting like a dumb action hero. Cody threw back his head and howled.
Negative desert. Black sand, white sky, blood the colour of diamonds, cold green flames licking at his heels. Blue stands. Blue falls. Blue stood. Blue fell. The moon so low, like a dimple in the atmosphere, curving in to kiss the Earth. Smoke rising from footprints. Eyes as dead as John Wayne's. Cowboys and Indians and the cowgirl in the sand.
Cody growls the name of the place, "Zzyzx," and the desert explodes.
Makeshift closes her eyes, drops the name of her favourite deity and spreads her mind across the dawn, fighting the wolfman to bring in the light. With nothing else to go on, she reaches out to her friends with her thoughts.
Ari is limp and lifeless, caught in the strong grip of a walking corpse. Cody is long gone, his mind torn loose like wet tissue, wadded and tossed out of the taxi halfway between there and here. Blue is on his knees again, coughing up blood that makes him gag and retch, something ancient and wet sliding up his throat to be born in the dead sands. She flexes her thoughts, winds it back and over, and Blue is standing, smiling, lighting a smoke.
Hold for a heartbeat.
Hold for another.
Hold until your breath is gone and your lungs are about to burst. Let it go and Blue is falling.
"I will not let you fall." she promises, but the A-bomb winds of the nightmare desert tear her words from her blistered lips and shred them on the distant fallout shelter walls.
The time is now. The time is 1945. The times they are a-changin'. Speeding up, the mushroom cloud a spiralling whirlpool of oblivion which draws in everything in its wake, spinning them ever faster like an out of control fairground ride, the waltzers of doom. Scream if you want to go faster.
Cody steps forward, dragging Ari's heels through the dirt. He's barely human now, his hair a shaggy mane, his legs bent in all the wrong places. Smoke rises from his footprints, cold green flames licking at his heels. He laughs, low and guttural, a snarl of triumph.
Fliss holds her breath, holds everything together, then opens her eyes and smiles sadly at Blue, standing proud and strong at the end of the road. She can hold it no longer. The maelstrom bursts through, she loses her grip, and Blue is falling.
Blue falls. On his hands and knees, gagging and retching, trying not to look at the clumps of cancerous flesh which are staining the black Earth before him, he still can't help but wonder where the tumors are going as they drag themselves away into the darkness to start their own mutated reservation in the dry lake bed.
"Zzyzx!" Cody Wolfman calls the name again, howling gibberish to the fractured sky. The moon is so low, he reaches up one twisted paw and grazes the surface, obliterating historic bootprints. Dust drifts gently down upon his head, tickles his snout, and he sneezes.
In that instant, Fliss is at his throat. He walks like a man, she fights like a beast, expensive, exquisite orthodonture tearing through the rough pelt, hot blood splashing her porcelain cheeks. The Nagual lets out a howl of protest and knocks her away with his free hand. As she tumbles over, rolling backwards across the molten tarmac, the shapeshifter shifts his grip on Ari, then hurls her after her friend. The girls crash together and fall silent, and old Matus smiles his wolfish smile and wonders which of the little cihuapillis should get it first. He's always liked the look of Felicity, but the dark haired girl always seemed too stuck up for his liking, so maybe he should fuck her first, bring her down a notch or two? He's got plenty of time for both. He shuffles over to the girls, grabs a fistfull of Ari's hair in one hand, Fliss's ankle in the other and tenses, ready to spring up to the moon.
"If he moves, kill him."
Cody looks back at where Blue should be lying in a spreading pool of his own blood and filth and instead finds the boy standing. Smiling. Liting a smoke. At his side stands another, a man formed of diseased waste and dead flesh, twin guns in his hands, both cocked and trained on the wolfman. Blue nods at the stranger, then gives Cody a wolfish grin of his own.
"Coyote spirit, you up for a game of cowboys and Indians?"
The stranger steps forward, guns raised, and Matus drops the girls.
"Bishop..."
Pike smiled.
"Hokahe, Coyote."
A frozen instant, the dry hiss of a rattlesnake, then two cancerous slugs, fibrous and black, erupt from Pike's guns and slam into the wolfman's shoulders. He staggers, launches himself with a howl of fury and pain, lands with his jaws on the dead cowboy's throat. Only then does he realise that he's been played. Pike and his bunch are long gone, and they won't come back in any way but an ill advised remake. The thing beneath him isn't Pike Bishop, or even William Holden. It's Blue's reanimated tumour flesh, and it's still hungry. Surging up across the coyote's muzzle, the rapidly metastasizing cancer swarms across his face, blinding and suffocating him. It pours down his throat like a milkshake two months out of date, searing his stomach and spreading through his lungs untill they teem with malignant growths, swelling and rupturing and birthing successive generations of cancer. The black mass eats him from within and without, and the moon world withdraws from him forever.
Blue smoked, and smiled and stood. He blew a smoke ring which circled the slowly departing moon, then disappeared as the first rays of the rising sun burned scorched across the desert, eight hours late but never more welcome.
Fliss groaned, pulled herself upright, then rolled Ari to the recovery position.
"What happened?"
Blue shrugged.
"I'll tell you sometime. Is that a friend of yours?"
He nodded in the direction of a dust trail heading towards them at some speed, coming from the direction of the camp. Felicity cast her mind out and sighed.
"It's Midge. Late as usual."
"At least it saves us walking back - The taxi's well fucked."
He lit a fresh smoke, then held the pack out to Fliss. She took one, lit it and took a long pull, then blew out a cloud of smoke that obscured them from Midge, Ari and the eyes of all creation. Wasting no time, she wrapped her hand around the back of his neck and pulled him in close for a long, soft kiss. The pressure of her fingers on his skin was soothing and cool, the antithesis of the fevered battle, while the feeling of her tongue in his mouth was all he ever hoped and more besides. He knew in that instant that if anyone could ever save the world, it was her, and he would be with her every step of the way.
Stepping back, still stroking his neck, she smiled, placed the smoke between her moist lips and winked at him. Blue tried to match her cool, collected manner, but he had to fight his beaming grin back every step of the way.
"I thought you were too good for me?" he asked.
"Oh don't worry, I still am."
She watched the horizon, deep in thought, looking at something only she could see.
"You'll do for now though, and one day you'll leave us all behind."
He began to protest, but then the smoke cleared, the jeep pulled up alongside them and Ari was sitting up and moaning.
"Is anyone going to tell me what happened?"
Fliss and Blue looked at each other and burst out laughing. In the jeep, Midge looked at the trio, their battered, bloody faces, their tattered clothes and the smoking ruin of the taxi and sighed.
"Why do I never get asked on these nights out?"
Notes
Thursday, 20 August 2009
Prison Letter
Felicity Schnitzler was imprisoned in Holmes chapel Correctional Hospital from 2007-2009 for the manslaughter of Dr Derek Young, a Physics teacher at Arlington High School in Northampton. Presented here, for the first time, is a prison letter dated March 21st 2008 addressed to Ari Ilya. It picks up on a previous letter from Ari. Several communications were sent between Felicity and Ari dating from March 2008 until her release in early 2009
Dear Ari,
I’m starting to find this incarceration therapeutic. Therapeutic in the sense that, it is allowing me to think, to process my ideals and theories into a coherent structure, a solid structure that I can use as a weapon to bludgeon the fascistic state via the power of words rather than weapons. Maybe it’s time to go back to the genesis of the movement and move away from the armed struggle. Who knows?
Have I made mistakes? Would you tell me? I suppose now that I’m locked away, you would. But would you have told me a few years ago when the struggles and demonstrations turned to the righteous socialistic murder of the authoritarian bourgeoisie; the Hypodermic Syringe Model turned flat on its face through the flagrant use of the bullet and the bomb. Were you afraid of what I had become, what you had become? Looking back now, I believe I was thoroughly soaked, even drenched in the sweat of my ancestors’ violent struggles.
You know, I blame my Grandfather; he served with Hitler’s Wehrmacht on the Eastern front – fighting for a cause he did not believe in. He struggled with his fellow Officers over the humanitarian treatment of prisoners. He had to hide his own liberal beliefs, until one day, it got too much, and he shot his units Oberleutnant through the head and escaped into the Russian countryside. He tried objection, he even tried writing a formal complaint to the Generalleutnant. He tried to rally his platoon with speeches and late night chats around campfires about the dire consequences and failures of National Socialism. He tried the peaceable means of protest and it didn’t work for him. So, he turned to the bullet and used violence and murder to make his point. He suffered with the weighty burden of cold blooded execution until his final days. The guilt, the shame, the sorrow; it was all washed away one cold dark night. You’d think the story would end here, that time would heal the wounds and torments of our family. However, it didn’t, the guilt was simply passed onto my Mother Seren and ,through her, me.
And here we are once again, at war with the enemy, using violence to get a point of view into the open, to make a statement so bold that it has to be drenched in blood.
And what do we say of long distance lineage? We are always betrayed by our fathers.
Yours truly,
Fliss x
Dear Ari,
I’m starting to find this incarceration therapeutic. Therapeutic in the sense that, it is allowing me to think, to process my ideals and theories into a coherent structure, a solid structure that I can use as a weapon to bludgeon the fascistic state via the power of words rather than weapons. Maybe it’s time to go back to the genesis of the movement and move away from the armed struggle. Who knows?
Have I made mistakes? Would you tell me? I suppose now that I’m locked away, you would. But would you have told me a few years ago when the struggles and demonstrations turned to the righteous socialistic murder of the authoritarian bourgeoisie; the Hypodermic Syringe Model turned flat on its face through the flagrant use of the bullet and the bomb. Were you afraid of what I had become, what you had become? Looking back now, I believe I was thoroughly soaked, even drenched in the sweat of my ancestors’ violent struggles.
You know, I blame my Grandfather; he served with Hitler’s Wehrmacht on the Eastern front – fighting for a cause he did not believe in. He struggled with his fellow Officers over the humanitarian treatment of prisoners. He had to hide his own liberal beliefs, until one day, it got too much, and he shot his units Oberleutnant through the head and escaped into the Russian countryside. He tried objection, he even tried writing a formal complaint to the Generalleutnant. He tried to rally his platoon with speeches and late night chats around campfires about the dire consequences and failures of National Socialism. He tried the peaceable means of protest and it didn’t work for him. So, he turned to the bullet and used violence and murder to make his point. He suffered with the weighty burden of cold blooded execution until his final days. The guilt, the shame, the sorrow; it was all washed away one cold dark night. You’d think the story would end here, that time would heal the wounds and torments of our family. However, it didn’t, the guilt was simply passed onto my Mother Seren and ,through her, me.
And here we are once again, at war with the enemy, using violence to get a point of view into the open, to make a statement so bold that it has to be drenched in blood.
And what do we say of long distance lineage? We are always betrayed by our fathers.
Yours truly,
Fliss x
Saturday, 15 August 2009
Absolute Beginners Part 2 : A Night On The Town
"The dinosaurs are dead, fuckers! We're the kings of the Earth and your momma's a wallet!"
Felicity gazed through the shattered windscreen, watched the moon edging towards the horizon and thought about how it had all gone so horribly wrong. At ten o'clock, they had all been about ready to go back to the camp; They still had their jeep, most of their money and Cody was still behaving like a rational human being. Six hours later and they were racing across the desert in a stolen taxi, penniless and wretchedly hungover, with Blue at the wheel, while Cody hung out of the back window screaming abuse at the lizards and jackrabbits which watched their passing with disinterested eyes.
"Could you maybe let us out now?" asked Arihaily. "We'd be fine walking from here, honestly."
Blue turned to look at her in the back seat, leaving Felicity to reach across, grab the wheel and steer them between a huge cactus on one side and a deep gully on the other.
"Are you crazy?" he demanded. "This same lonely desert was the last known hiding place of the Brady Bunch! You wouldn't last five minutes before little Cindy was cracking your skull like a pinata and scarfing your sweet brains down like Satan's own eggnog!"
He turned back in his seat, took the wheel once more, then smiled dreamily at Felicity.
"You have such lovely brains..."
"Just drive, moron."
In the back seat, Ari clung tightly to Cody's legs in the hope of keeping at least half of him inside the car. With every bump they hit, he jerked further out, and she seemed to be the only one worrying about it.
"Fliss? Want to give me a hand here?"
Felicity reached between the seats, prised off one of Cody's shoes and twisted his little toe until it popped. Cody screamed into the pre-dawn skies, then promptly passed out.
"That should hold him for a few minutes. When he comes round, tell him to sit still and shut up or I go through the rest, one at a time."
Ari nodded dumbly, then hauled the unconscious boy back into the taxi. Fliss turned back to Blue.
"So how well do you know the other moron?"
Blue shook his head, causing the car to swerve wildly.
"Never spoken to him in my life before today. He just seemed a bit down after the old bastard borrowed his body, thought we could cheer him up."
"Right. And the acid?"
"Share and share alike. Want some?"
"Drive."
The car crossed through bands of faint light and utter darkness, the shadows of ancient geological formations which dotted the mesa. It was strangely soothing, hypnotic, and they all grew quiet. After a while, Blue glanced at Felicity and smiled.
"You should get some rest. You look done in."
Fliss yawned.
"I'm okay. So long as I can get a couple of hours before I'm on duty again, I'll be fine."
"What are you on tomorrow?"
She frowned.
"Bodyguard detail I think. Is that right Ari?"
There was no response so she swivelled in her chair to look at her friend, then smiled and nudged Blue's shoulder. He looked in the rear view mirror and saw Ari and Cody curled up asleep in each other's arms.
"Aww, I knew they'd hit it off."
Fliss yawned again, brought her legs up onto the seat and curled up like a cat.
"How much further is it?"
Blue shrugged.
"A while yet. Go on, I'll be fine. I'll wake you when we get there."
Felicity smiled at him, touched his arm.
"You know, you're actually not that bad."
"I have my moments."
They drove on, and after a few minutes, when he heard her soft snores, Blue reached out and snapped the radio on. The dial was shattered and the light blinked on and off continuously, but somehow it worked. He twisted the tuner, cycled through half a dozen fire and brimstone all night preachers, then smiled when he came across Freebird.
"Skynyrd... Nice."
He settled back in his chair, one hand on the wheel, the other resting lightly on Felicity's shoulder, driving on into the dawn. The music swam through his mind, and the strobing shadows soothed him until he found himself yawning and blinking. His legs began to feel heavy, as if there were lead weights tied to his feet. His hands too, then his arms. He felt the car accelerate as his dead weight pressed down on the pedal, and he realised with mild surprise that he could barely even lift his arm to steer. The car was driving itself, heading at full speed into the desert, the squealing tyres still audible above the endless guitar solo. Through heavy eyes, he looked at the clock on the dashboard and wasn't all that shocked to discover that the song had been playing for a little over an hour now, and still showed no signs of ending.
With a massive effort, he managed to flex his fingers, digging them into Felicity's shoulder. He squeezed harder and harder, until he felt the bones grating together and she sat up with a yelp of pain. The spell was broken and he had control of himself once more, just in time to swing the wheel before they hit the tower of rock looming directly before them, throwing the car off the road and into a ditch. There was a stomach churning drop as the ground disappeared beneath them, and they almost rolled over entirely, then crashed back onto their wheels once more, resting against the earthen wall of the ditch, one working headlight pointing up into the sky like a searchlight. The engine died, but the radio grew louder and more distorted, the music wailing and screeching as the end of the world prophets faded back in, their voices overlapping and merging, like an argument in a madhouse.
Felicity scrambled out first, then wrenched open the back door to help Ari and Cody out on to the road. Blue dragged himself up across the passenger seat and began looking around for shelter.
"Are you crazy?" Fliss demanded. "You damn near killed us. And you almost broke my shoulder! What the hell was that about?"
He ignored her, wandering along the road, patting at his pockets for cigarettes, lighter and anything else that he could use in the imminent attack. Ari felt it next, the thickening of the air, the sensation of a great hand, pushing her to the ground. She willed herself to remain upright and began to follow Blue, pulling the still-groggy Cody along beside her.
"Fliss, we've got to go. Now!"
Felicity jumped, began following her friends along the dusty road, heading towards the dawn.
"What is it? Who's after us?"
Ari stopped, turned slightly as if to speak, then froze and choked on her words. She slumped forwards, until it was Cody supporting her, holding her in the crook of his arm as he straightened up and grinned wolfishly at Felicity.
"Hello little cihuapilli. Have you come to play as well?"
Felicity staggered back as the words hit her like a fist.
"Matus? Oh shit..."
Notes
Felicity gazed through the shattered windscreen, watched the moon edging towards the horizon and thought about how it had all gone so horribly wrong. At ten o'clock, they had all been about ready to go back to the camp; They still had their jeep, most of their money and Cody was still behaving like a rational human being. Six hours later and they were racing across the desert in a stolen taxi, penniless and wretchedly hungover, with Blue at the wheel, while Cody hung out of the back window screaming abuse at the lizards and jackrabbits which watched their passing with disinterested eyes.
"Could you maybe let us out now?" asked Arihaily. "We'd be fine walking from here, honestly."
Blue turned to look at her in the back seat, leaving Felicity to reach across, grab the wheel and steer them between a huge cactus on one side and a deep gully on the other.
"Are you crazy?" he demanded. "This same lonely desert was the last known hiding place of the Brady Bunch! You wouldn't last five minutes before little Cindy was cracking your skull like a pinata and scarfing your sweet brains down like Satan's own eggnog!"
He turned back in his seat, took the wheel once more, then smiled dreamily at Felicity.
"You have such lovely brains..."
"Just drive, moron."
In the back seat, Ari clung tightly to Cody's legs in the hope of keeping at least half of him inside the car. With every bump they hit, he jerked further out, and she seemed to be the only one worrying about it.
"Fliss? Want to give me a hand here?"
Felicity reached between the seats, prised off one of Cody's shoes and twisted his little toe until it popped. Cody screamed into the pre-dawn skies, then promptly passed out.
"That should hold him for a few minutes. When he comes round, tell him to sit still and shut up or I go through the rest, one at a time."
Ari nodded dumbly, then hauled the unconscious boy back into the taxi. Fliss turned back to Blue.
"So how well do you know the other moron?"
Blue shook his head, causing the car to swerve wildly.
"Never spoken to him in my life before today. He just seemed a bit down after the old bastard borrowed his body, thought we could cheer him up."
"Right. And the acid?"
"Share and share alike. Want some?"
"Drive."
The car crossed through bands of faint light and utter darkness, the shadows of ancient geological formations which dotted the mesa. It was strangely soothing, hypnotic, and they all grew quiet. After a while, Blue glanced at Felicity and smiled.
"You should get some rest. You look done in."
Fliss yawned.
"I'm okay. So long as I can get a couple of hours before I'm on duty again, I'll be fine."
"What are you on tomorrow?"
She frowned.
"Bodyguard detail I think. Is that right Ari?"
There was no response so she swivelled in her chair to look at her friend, then smiled and nudged Blue's shoulder. He looked in the rear view mirror and saw Ari and Cody curled up asleep in each other's arms.
"Aww, I knew they'd hit it off."
Fliss yawned again, brought her legs up onto the seat and curled up like a cat.
"How much further is it?"
Blue shrugged.
"A while yet. Go on, I'll be fine. I'll wake you when we get there."
Felicity smiled at him, touched his arm.
"You know, you're actually not that bad."
"I have my moments."
They drove on, and after a few minutes, when he heard her soft snores, Blue reached out and snapped the radio on. The dial was shattered and the light blinked on and off continuously, but somehow it worked. He twisted the tuner, cycled through half a dozen fire and brimstone all night preachers, then smiled when he came across Freebird.
"Skynyrd... Nice."
He settled back in his chair, one hand on the wheel, the other resting lightly on Felicity's shoulder, driving on into the dawn. The music swam through his mind, and the strobing shadows soothed him until he found himself yawning and blinking. His legs began to feel heavy, as if there were lead weights tied to his feet. His hands too, then his arms. He felt the car accelerate as his dead weight pressed down on the pedal, and he realised with mild surprise that he could barely even lift his arm to steer. The car was driving itself, heading at full speed into the desert, the squealing tyres still audible above the endless guitar solo. Through heavy eyes, he looked at the clock on the dashboard and wasn't all that shocked to discover that the song had been playing for a little over an hour now, and still showed no signs of ending.
With a massive effort, he managed to flex his fingers, digging them into Felicity's shoulder. He squeezed harder and harder, until he felt the bones grating together and she sat up with a yelp of pain. The spell was broken and he had control of himself once more, just in time to swing the wheel before they hit the tower of rock looming directly before them, throwing the car off the road and into a ditch. There was a stomach churning drop as the ground disappeared beneath them, and they almost rolled over entirely, then crashed back onto their wheels once more, resting against the earthen wall of the ditch, one working headlight pointing up into the sky like a searchlight. The engine died, but the radio grew louder and more distorted, the music wailing and screeching as the end of the world prophets faded back in, their voices overlapping and merging, like an argument in a madhouse.
Felicity scrambled out first, then wrenched open the back door to help Ari and Cody out on to the road. Blue dragged himself up across the passenger seat and began looking around for shelter.
"Are you crazy?" Fliss demanded. "You damn near killed us. And you almost broke my shoulder! What the hell was that about?"
He ignored her, wandering along the road, patting at his pockets for cigarettes, lighter and anything else that he could use in the imminent attack. Ari felt it next, the thickening of the air, the sensation of a great hand, pushing her to the ground. She willed herself to remain upright and began to follow Blue, pulling the still-groggy Cody along beside her.
"Fliss, we've got to go. Now!"
Felicity jumped, began following her friends along the dusty road, heading towards the dawn.
"What is it? Who's after us?"
Ari stopped, turned slightly as if to speak, then froze and choked on her words. She slumped forwards, until it was Cody supporting her, holding her in the crook of his arm as he straightened up and grinned wolfishly at Felicity.
"Hello little cihuapilli. Have you come to play as well?"
Felicity staggered back as the words hit her like a fist.
"Matus? Oh shit..."
Notes
Saturday, 1 August 2009
Absolute Beginners Part 1 - Soldier Girl
"We can soar like eagles or scamper like rabbits," said Matus. "We can swim like the dolphins, be kings and queens, or even be ourselves, for eternity."
The old Nagual nodded his head slowly, his milky blue eyes half closed, as if lost in deep thought. After a moment or two, the boys sitting cross-legged before him on the dry sand began to wonder if he was meditating or merely sleeping, and whether there was really any difference between the two once you reached the great age Matus claimed to be. The midday sun was warm without being unpleasant though, and the breeze rolling in from the desert kept the air in motion, so most of the students waited silently, attentively, for the lesson to continue. Seeing his chance, Blue risked a quick glance around at his fellow novices, then slipped a chocolate bar from his shirt pocket and took a large bite. He ducked his head again and munched contentedly, until the boy sitting beside him reached over and slapped him harshly between the shoulder blades. Blue sprawled forwards, his legs twitching like a dreaming dog, a thick drool of melted chocolate bubbling from his lips. The other students scattered in surprise, scrambling around and away to watch this strange turn of events from a safer distance.
A pair of guards, teenage girls in drab olive fatigues, came running over from their post outside the camp administration building, raising their rifles and shouting warnings at Blue's attacker. The boy merely turned and smiled at them, and they faltered and lowered their weapons.
"And we must beware at all times," said the boy, his voice that of the ancient Indian, his milky eyes twinkling with mischief, "for there are many dark actors playing games here. We must never let our guard down, no matter what the temptation."
He reached down and took the half-eaten chocolate bar from Blue's pocket and broke it into three pieces, offering two to the guards and popping the third into his own mouth. The dark haired girl smiled and accepted her piece meekly, while her fairer companion pointed at the still-convulsing Blue.
"Where is he Master Matus?"
The boy grinned, looking around at his stunned, curious students.
"Our sweet-toothed Tonal is wriggling down in the dirt, churning through the soil, blind and deaf, barely more than an eating, shitting machine. You see, we can be anything we wish to be, even a humble earthworm."
The bell by the mess hall door rang suddenly, and the Nagual returned to his own body, climbed stiffly to his feet and wiped the sand from his ass. The boy he had possessed blinked uncertainly at the armed girls before him, then frowned, spat out a lump of melted chocolate and peered at it in confusion. The other students laughed and chattered amongst themselves as they rose and made their way towards the mess hall, leaving the guards, the old teacher and the dazed student standing over the prone Blue. Matus shook his head sadly.
"Five more minutes and he would have been eating lunch. This one will always have trouble with his appetite, cihuapilli."
He looked over at the fair haired soldier girl and grinned.
"You will have to watch that, I think."
Before she could object, the old Indian had turned away to see to his other student, who was beginning to piece together the last few minutes. He looked up at his teacher, frowning.
"What just happened? Was someone else in my head?"
Matus smiled and placed his hand on the boy's shoulder.
"Help me to the canteen and I'll explain everything."
They slowly shuffled away, the student supporting his master as he learned what had just transpired.
Finally, just the guards remained. Sighing, the dark haired girl grabbed Blue's shoulder and rolled him roughly onto his back.
"Why does he always leave us to clean up after him?"
Her colleague shrugged.
"He probably thinks we're learning something from it all."
She squatted beside Blue's empty husk and gripped his head firmly in both hands, her thumbs at his temples.
"Wax on, wax off and all that shit."
Blue's eyes fluttered open, and for a moment they were a dirty off-white, like the flesh of a creature which spends it's entire life far removed from the sun. Then they rolled wildly as the irises gradually reappeared, before finally settling on the girl leaning over him. Looking up at her, with the desert sun shining through her short, boyish hair like a golden halo, he felt an uncontrollable urge to smile.
"You're lovely," he said thickly, pushing up onto his elbows. "Are you an angel?"
The girl stepped away, shaking her head.
"Not another one..."
The dark haired girl laughed.
"You love it when this happens. You play on it. You'll have him trotting after you for a week at least, until you get bored with it."
The blonde girl pulled a pack of cigarettes from her shirt pocket, lit one and tossed the pack down to Blue.
"Okay, here's the deal," she announced, blowing a sigil-cloud of smoke to imbue her words with power over him. "I will allow you and one of your friends to take me and my friend here out on the town this evening. There will be no physical contact unless I initiate it, which is so unlikely that you might as well forget about it now. You will pay for everything, which will include at least a meal, three drinks and a movie. At the end of the evening, you will bring us back here to the camp and say goodnight like gentlemen. The only thing you will take away with you is that fag packet, which you will treasure as a souvenir of our time together. You will often wonder what might have been, especially when I begin my meteoric rise to stardom, but you will always know that I was too good for you and you will be eternally grateful for the brief hours you spent in my company. Understood?"
"Fair enough. So what's your name then?"
"She's Christa Paffgen," said the dark haired girl, "and I'm Fata Morgana, although you couldn't care less about me."
Blue lay back on the warm Earth and blew a wreath of smoke around his head.
"Christa... That's nice."
The girls exchanged smiles and shouldered their rifles, ready to move on and leave him with the lie.
"Course, if you don't mind, I'll just call you Felicity."
He sat up again and grinned at their stunned expressions.
"Is that alright with you Ari?"
Felicity looked down at Blue, lost for words, then turned to Arihaily.
"I don't think we'll be getting rid of this one that easily."
Notes
The old Nagual nodded his head slowly, his milky blue eyes half closed, as if lost in deep thought. After a moment or two, the boys sitting cross-legged before him on the dry sand began to wonder if he was meditating or merely sleeping, and whether there was really any difference between the two once you reached the great age Matus claimed to be. The midday sun was warm without being unpleasant though, and the breeze rolling in from the desert kept the air in motion, so most of the students waited silently, attentively, for the lesson to continue. Seeing his chance, Blue risked a quick glance around at his fellow novices, then slipped a chocolate bar from his shirt pocket and took a large bite. He ducked his head again and munched contentedly, until the boy sitting beside him reached over and slapped him harshly between the shoulder blades. Blue sprawled forwards, his legs twitching like a dreaming dog, a thick drool of melted chocolate bubbling from his lips. The other students scattered in surprise, scrambling around and away to watch this strange turn of events from a safer distance.
A pair of guards, teenage girls in drab olive fatigues, came running over from their post outside the camp administration building, raising their rifles and shouting warnings at Blue's attacker. The boy merely turned and smiled at them, and they faltered and lowered their weapons.
"And we must beware at all times," said the boy, his voice that of the ancient Indian, his milky eyes twinkling with mischief, "for there are many dark actors playing games here. We must never let our guard down, no matter what the temptation."
He reached down and took the half-eaten chocolate bar from Blue's pocket and broke it into three pieces, offering two to the guards and popping the third into his own mouth. The dark haired girl smiled and accepted her piece meekly, while her fairer companion pointed at the still-convulsing Blue.
"Where is he Master Matus?"
The boy grinned, looking around at his stunned, curious students.
"Our sweet-toothed Tonal is wriggling down in the dirt, churning through the soil, blind and deaf, barely more than an eating, shitting machine. You see, we can be anything we wish to be, even a humble earthworm."
The bell by the mess hall door rang suddenly, and the Nagual returned to his own body, climbed stiffly to his feet and wiped the sand from his ass. The boy he had possessed blinked uncertainly at the armed girls before him, then frowned, spat out a lump of melted chocolate and peered at it in confusion. The other students laughed and chattered amongst themselves as they rose and made their way towards the mess hall, leaving the guards, the old teacher and the dazed student standing over the prone Blue. Matus shook his head sadly.
"Five more minutes and he would have been eating lunch. This one will always have trouble with his appetite, cihuapilli."
He looked over at the fair haired soldier girl and grinned.
"You will have to watch that, I think."
Before she could object, the old Indian had turned away to see to his other student, who was beginning to piece together the last few minutes. He looked up at his teacher, frowning.
"What just happened? Was someone else in my head?"
Matus smiled and placed his hand on the boy's shoulder.
"Help me to the canteen and I'll explain everything."
They slowly shuffled away, the student supporting his master as he learned what had just transpired.
Finally, just the guards remained. Sighing, the dark haired girl grabbed Blue's shoulder and rolled him roughly onto his back.
"Why does he always leave us to clean up after him?"
Her colleague shrugged.
"He probably thinks we're learning something from it all."
She squatted beside Blue's empty husk and gripped his head firmly in both hands, her thumbs at his temples.
"Wax on, wax off and all that shit."
Blue's eyes fluttered open, and for a moment they were a dirty off-white, like the flesh of a creature which spends it's entire life far removed from the sun. Then they rolled wildly as the irises gradually reappeared, before finally settling on the girl leaning over him. Looking up at her, with the desert sun shining through her short, boyish hair like a golden halo, he felt an uncontrollable urge to smile.
"You're lovely," he said thickly, pushing up onto his elbows. "Are you an angel?"
The girl stepped away, shaking her head.
"Not another one..."
The dark haired girl laughed.
"You love it when this happens. You play on it. You'll have him trotting after you for a week at least, until you get bored with it."
The blonde girl pulled a pack of cigarettes from her shirt pocket, lit one and tossed the pack down to Blue.
"Okay, here's the deal," she announced, blowing a sigil-cloud of smoke to imbue her words with power over him. "I will allow you and one of your friends to take me and my friend here out on the town this evening. There will be no physical contact unless I initiate it, which is so unlikely that you might as well forget about it now. You will pay for everything, which will include at least a meal, three drinks and a movie. At the end of the evening, you will bring us back here to the camp and say goodnight like gentlemen. The only thing you will take away with you is that fag packet, which you will treasure as a souvenir of our time together. You will often wonder what might have been, especially when I begin my meteoric rise to stardom, but you will always know that I was too good for you and you will be eternally grateful for the brief hours you spent in my company. Understood?"
"Fair enough. So what's your name then?"
"She's Christa Paffgen," said the dark haired girl, "and I'm Fata Morgana, although you couldn't care less about me."
Blue lay back on the warm Earth and blew a wreath of smoke around his head.
"Christa... That's nice."
The girls exchanged smiles and shouldered their rifles, ready to move on and leave him with the lie.
"Course, if you don't mind, I'll just call you Felicity."
He sat up again and grinned at their stunned expressions.
"Is that alright with you Ari?"
Felicity looked down at Blue, lost for words, then turned to Arihaily.
"I don't think we'll be getting rid of this one that easily."
Notes
Saturday, 18 July 2009
The Girl On The Factory Wall
"Cool as."
Stepping back out into the road for a moment, Marg Cornell surveyed her handiwork critically, then shook the silver spray can and moved back in to continue. The high wall surrounding the chemical plant was scarred and pitted, loose bricks and crumbling mortar struggling to support the weight of two decades worth of graffitti. Most of the earliest examples had long since been painted over but some were still visible, tucked into corners too difficult to reach, too small to be worth the extra effort for the average tagger. Others seemed to survive the years through sheer artistry; The word Lovecraft had filled the archway above the main gates for at least fifteen years, outlasting the band it commemorated by more than a decade. There was something perversely beautiful in the way the letters were slowly being torn apart by the grasping tentacles of a faceless, eldritch horror and no subsequent artist had felt confident enough in their own work to paint over it. Elsewhere, less successful tags were covered by fresh paint on an almost weekly basis, regardless of the longevity of the bands they paid tribute to. Floyd's prismatic beams were bisected by a scrawled Never Mind The Bollocks, a poor rendition of Jim Morrison had been partially covered by Marley's Lion and the current crop of Madchester bands were well represented in dayglo bubble-lettering, just waiting for the next big thing to come along and obliterate them. Like the strips of compressed Earth in a geological sample, the layers of paint could be tied to distinct time frames, with rocky spurs and outcroppings breaking the surface of the present.
The wall had become a living history book, with each generation making its own mark, wiping the past from sight, believing that all that mattered was now. Their music, their art, their time. But Marg knew that this was rarely true, that painting on the wall was like writing in the sand, that only the wall and the factory would remain. She was painting for a different reason.
For one thing, her painting had nothing to do with music, at least not on the surface. She loved the Stone Roses and the Happy Mondays and Northside, but she saw beyond them, back into the rich history her mother had taught her since before she could crawl. She could pick out any band in the scrawled mass of tags and sing their best known songs - Even Lovecraft - and could probably sing several lesser known ones too. She knew the meandering paths which lead from Hawkwind to Doctor And The Medics, from The Velvet Underground to Primal Scream. The warp and woof of the aural tapestry was all laid out before her as her mother struggled to make sense of the world in the only way she could.
Throughout her childhood, Marg's mother had slowly drifted further and further away from her, her illness dismantling the sweet young woman and leaving only a shell in her place, a worn out husk full of brittle glass and rusty nails that squealed and scraped as it fought to stay alive. But at those times when her moods stripped her of speech, when the slightest touch from her daughter would send her into spasms of rage or enfold her in icy fear, she could still find the tune to express her innermost thoughts. Locked out of her mother's room, Marg still found a way into her world through the muffled music playing on her battered old portable record player. At ten years old, when an elderly relative had brought her a cassette player of her own for Christmas, she had sat on the landing outside her mother's room and played the first track from an album of Christmas songs, the only tape she owned. She had hoped simply to involve her, to bring her within earshot of a normal family Christmas, but as the song ended, another started up from behind th locked door. As each carol ended, another would fill the silence, alternating back and forth between mother and daughter; In many ways, it was the first true conversation they ever held together.
In the six years since, their secret shared vocabulary had deepened and expanded to the point where the opening bars of a song could stand as shorthand for a feeling or sensation, and the overall mood of an album chosen over another could indicate the tone of an entire day. Even when the drugs were working and her mother resembled a mostly functioning human being, they still fell back into the musical dialect they were most comfortable with, neither one speaking but filling the silence with song after song. The advent of compact discs meant they could skip straight to any track that expressed their mood and miss out any that threatened to shatter it. With her weekend job in Woollies, Marg earned enough to bring home two or three new albums every week, and she often had to fight the urge to run all the way home, just to hear them a few minutes sooner. Sometimes, if her mother was still at the clinic when she got back, she would lie on the living room floor, her head between the stereo speakers, listening to each one from beginning to end. She was looking for the hook which would bring the whole album alive for her mother, the one song or phrase or note which would snare them both. Sometimes, it never appeared, and the disc was taken to the Simms Cross junk shop to be traded in for another half dozen scratchy old 45s. Other times, she would chance across a gleaming jewel in the heart of an album, a track which meant so many things to them both that they could use it to bridge a week of awkward silences. She wondered if that meant she was as bad as her mother, that a song which prevented them from speaking for days on end was seen as a good thing must be some measure of their shared psychosis. But mostly she just accepted that this was the way her life was going; this was her mother, this was her world, same as it ever was.
For now. Exhausting her spray can, she wiped a stray strand of hair from her eyes and stepped back to view her progress. The figure was well proportioned, clearly defined and highlighted by the silver haze which shimmered around it. The silhouette was a blank space on the wall where she had painstakingly painted over the accumulated graffitti with layer after layer of natural brick red until not even the barest trace bled through. With a fine brush she had drawn in the lines of soft grey mortar, until the final effect was achieved. In the midst of the chaotic jumble of tags and countertags stood a void. Shaped like a sixteen year old girl in baggy jeans and an Inspiral Carpets tee-shirt, it was an absence of artwork, as if she had stood there for forty years while several generations of artists had drawn around and across her. Now she had stepped away from the wall, revealing the bare brick beneath for the first time in decades. Lighting a cigarette, she took up a can of white paint and quickly gave it a title, the first thing to enter her mind. Pleased, she slipped the cans back into her satchel and checked her watch. Almost half past twelve; time to go.
As she turned the corner at the end of the street she passed a couple of guys she knew vaguely from school and nodded in greeting. They nodded back and continued on towards the factory.
"The horse in her bedroom was Shadowfax." said one, "I went back and read the description and it was spot on."
"I haven't got a clue what's going on," admitted his comrade, dripping tippex thinner onto the cuff of his jacket and taking a deep breath. "It's fucking great."
They paused for a moment, looking at the freshly painted words beside the figure of the missing girl, reading it aloud, giving voice to the question the whole town would soon be asking;
"Where is Marg?"
But neither they nor anyone else had an answer, and the girl on the factory wall was surrounded by music and saying nothing.
Notes
Stepping back out into the road for a moment, Marg Cornell surveyed her handiwork critically, then shook the silver spray can and moved back in to continue. The high wall surrounding the chemical plant was scarred and pitted, loose bricks and crumbling mortar struggling to support the weight of two decades worth of graffitti. Most of the earliest examples had long since been painted over but some were still visible, tucked into corners too difficult to reach, too small to be worth the extra effort for the average tagger. Others seemed to survive the years through sheer artistry; The word Lovecraft had filled the archway above the main gates for at least fifteen years, outlasting the band it commemorated by more than a decade. There was something perversely beautiful in the way the letters were slowly being torn apart by the grasping tentacles of a faceless, eldritch horror and no subsequent artist had felt confident enough in their own work to paint over it. Elsewhere, less successful tags were covered by fresh paint on an almost weekly basis, regardless of the longevity of the bands they paid tribute to. Floyd's prismatic beams were bisected by a scrawled Never Mind The Bollocks, a poor rendition of Jim Morrison had been partially covered by Marley's Lion and the current crop of Madchester bands were well represented in dayglo bubble-lettering, just waiting for the next big thing to come along and obliterate them. Like the strips of compressed Earth in a geological sample, the layers of paint could be tied to distinct time frames, with rocky spurs and outcroppings breaking the surface of the present.
The wall had become a living history book, with each generation making its own mark, wiping the past from sight, believing that all that mattered was now. Their music, their art, their time. But Marg knew that this was rarely true, that painting on the wall was like writing in the sand, that only the wall and the factory would remain. She was painting for a different reason.
For one thing, her painting had nothing to do with music, at least not on the surface. She loved the Stone Roses and the Happy Mondays and Northside, but she saw beyond them, back into the rich history her mother had taught her since before she could crawl. She could pick out any band in the scrawled mass of tags and sing their best known songs - Even Lovecraft - and could probably sing several lesser known ones too. She knew the meandering paths which lead from Hawkwind to Doctor And The Medics, from The Velvet Underground to Primal Scream. The warp and woof of the aural tapestry was all laid out before her as her mother struggled to make sense of the world in the only way she could.
Throughout her childhood, Marg's mother had slowly drifted further and further away from her, her illness dismantling the sweet young woman and leaving only a shell in her place, a worn out husk full of brittle glass and rusty nails that squealed and scraped as it fought to stay alive. But at those times when her moods stripped her of speech, when the slightest touch from her daughter would send her into spasms of rage or enfold her in icy fear, she could still find the tune to express her innermost thoughts. Locked out of her mother's room, Marg still found a way into her world through the muffled music playing on her battered old portable record player. At ten years old, when an elderly relative had brought her a cassette player of her own for Christmas, she had sat on the landing outside her mother's room and played the first track from an album of Christmas songs, the only tape she owned. She had hoped simply to involve her, to bring her within earshot of a normal family Christmas, but as the song ended, another started up from behind th locked door. As each carol ended, another would fill the silence, alternating back and forth between mother and daughter; In many ways, it was the first true conversation they ever held together.
In the six years since, their secret shared vocabulary had deepened and expanded to the point where the opening bars of a song could stand as shorthand for a feeling or sensation, and the overall mood of an album chosen over another could indicate the tone of an entire day. Even when the drugs were working and her mother resembled a mostly functioning human being, they still fell back into the musical dialect they were most comfortable with, neither one speaking but filling the silence with song after song. The advent of compact discs meant they could skip straight to any track that expressed their mood and miss out any that threatened to shatter it. With her weekend job in Woollies, Marg earned enough to bring home two or three new albums every week, and she often had to fight the urge to run all the way home, just to hear them a few minutes sooner. Sometimes, if her mother was still at the clinic when she got back, she would lie on the living room floor, her head between the stereo speakers, listening to each one from beginning to end. She was looking for the hook which would bring the whole album alive for her mother, the one song or phrase or note which would snare them both. Sometimes, it never appeared, and the disc was taken to the Simms Cross junk shop to be traded in for another half dozen scratchy old 45s. Other times, she would chance across a gleaming jewel in the heart of an album, a track which meant so many things to them both that they could use it to bridge a week of awkward silences. She wondered if that meant she was as bad as her mother, that a song which prevented them from speaking for days on end was seen as a good thing must be some measure of their shared psychosis. But mostly she just accepted that this was the way her life was going; this was her mother, this was her world, same as it ever was.
For now. Exhausting her spray can, she wiped a stray strand of hair from her eyes and stepped back to view her progress. The figure was well proportioned, clearly defined and highlighted by the silver haze which shimmered around it. The silhouette was a blank space on the wall where she had painstakingly painted over the accumulated graffitti with layer after layer of natural brick red until not even the barest trace bled through. With a fine brush she had drawn in the lines of soft grey mortar, until the final effect was achieved. In the midst of the chaotic jumble of tags and countertags stood a void. Shaped like a sixteen year old girl in baggy jeans and an Inspiral Carpets tee-shirt, it was an absence of artwork, as if she had stood there for forty years while several generations of artists had drawn around and across her. Now she had stepped away from the wall, revealing the bare brick beneath for the first time in decades. Lighting a cigarette, she took up a can of white paint and quickly gave it a title, the first thing to enter her mind. Pleased, she slipped the cans back into her satchel and checked her watch. Almost half past twelve; time to go.
As she turned the corner at the end of the street she passed a couple of guys she knew vaguely from school and nodded in greeting. They nodded back and continued on towards the factory.
"The horse in her bedroom was Shadowfax." said one, "I went back and read the description and it was spot on."
"I haven't got a clue what's going on," admitted his comrade, dripping tippex thinner onto the cuff of his jacket and taking a deep breath. "It's fucking great."
They paused for a moment, looking at the freshly painted words beside the figure of the missing girl, reading it aloud, giving voice to the question the whole town would soon be asking;
"Where is Marg?"
But neither they nor anyone else had an answer, and the girl on the factory wall was surrounded by music and saying nothing.
Notes
Saturday, 4 July 2009
Loss
The house smells of stale smoke and strangers. The police left a little while ago, Bill shortly after. He asked if I needed him to stay, bless him. He looked so relieved when I said no. Now it's just me, sitting in the dark in the empty parlour.
I get up to make a drink, pick up his mug from the draining board, pour milk into it before I even realise what I'm doing. I can't seem to put it back on the shelf, but finishing the job, making his milky tea and leaving it to cool in the mug seems even worse. I can't go on and I can't go back.
Instead, I sit at the kitchen table, in his chair. Looking at the world from his point of view, seeing what he saw. The scarred table top looks like the surface of the moon; Old burn marks for craters, the criss cross marks of the bread knife, jagged teeth tearing deeply into the old teak. I lie my hands on the raw wood and stare at them for an hour. Maybe I fall asleep. Maybe not. The hour passes. My hands age. The skin tightens, the knuckles swell and thicken as the fingers lose their nimble dexterity. It doesn't show on the outside. I stare at them untill my eyes sting, but I don't see it. No-one could. But with every hour that passes - every minute and second - we get closer to the end. To the last walk into the night.
Mustn't dwell on it. Got to keep thinking positive thoughts. They don't know for certain. Think it through: They only found his jacket. The Legion is nowhere near the canal. There's no need for him to go anywhere near it. There was only a little blood. Dad was in the army. Old soldiers don't just fall into the canal.
I know; He was attacked on his way to The Legion. Someone attacked him, they fought and dad got a black eye and a bloody nose and lost his coat. His attacker ran away with it, went down to the canal to rifle through the pockets and throw anything incriminating into the water. Any moment now, dad will come staggering through the front door, singing his awful old songs, shivering in his shirtsleeves, wiping his nose on a scrap of bloody tissue and trying to roll a cigarette with one hand. He'll shout at me for sitting in his chair, and if he ever finds out that Bill sat in the parlour holding my hand then I'll really be for it, and it would all be worth it just to hear his voice. Even if he lapsed into German, which just makes him ever more angry because I don't understand it...
Except it's almost three O'clock and dad would never stay out later than midnight, even on a weekend. The Legion closes at half past eleven, and even in his worst states, it would never take him half an hour to make his way home. It's not like he's got any friends to visit. I don't think he ever did, even back in Germany.
I notice that a couple of my fingernails are starting to bleed. I've been scratching the table top; there are tiny splinters in my fingertips, under the nails. I can't feel them, but I can see them. Everything's numb. I bet I could take the bread knife and...
I see where the thought is heading and push my chair away from the table, legs scraping on the bare quarry tiles, screeching loudly in the silent night. I stand and head back into the parlour. The policeman smoked those terrible liquorice paper cheroots. The room reeks of them, the wet, twisted butts sitting in the ashtray look like miniature dog poops. I think of tiny poodles walking around the glass dish, doing their business, and I can't hold my laughter in any longer. After a good five minutes I realize that it wasn't laughter. I look up and find that I'm kneeling on the hearth rug, my face wet from tears which have soaked the seat of dad's armchair. I stood here, on this same spot, when I was a little girl, clinging to his trouser leg, listening to his stories. I didn't understand a fraction of what he was trying to tell me. Now I never will.
Back then, when I looked up at him, I saw a giant, his head in the clouds, with a booming voice and great rough hands that would scoop me up and lift me into the smoky nimbus which hung around his shoulders. We were in a different world up there. I can still smell the strange home mixed tobacco he bought from the old woman in Cooper Street. Sometimes there was a trace of cherrywood, sometimes something more like tar, sweet and rich or thick and black, all tangled up with the smell of his hair oil, the axle grease ground into his hands and the occasional nip of whiskey on his breath.
I crawl up onto the armchair, close my eyes and press my face against the worn material, breathing deeply. I can almost believe that he's still here. I can smell him, feel his warmth. I press myself into the indentation of his form on the cushions, trying not to think of the fact that it's a hollow, a negative space formed by his absence. For now it's enough to get me through the night.
I sleep, finally. The dreams respect my boundaries, for one night only. No silver stars, no burning fields, no steppenwolves or soldiers. Just oblivion. Peace. I sleep in the space carved out by my father's life, the echo of his arms around me, the ghost of his breath on my face. And then I wake to a new world.
The sun is rising and my father is dead.
I get up to make a drink, pick up his mug from the draining board, pour milk into it before I even realise what I'm doing. I can't seem to put it back on the shelf, but finishing the job, making his milky tea and leaving it to cool in the mug seems even worse. I can't go on and I can't go back.
Instead, I sit at the kitchen table, in his chair. Looking at the world from his point of view, seeing what he saw. The scarred table top looks like the surface of the moon; Old burn marks for craters, the criss cross marks of the bread knife, jagged teeth tearing deeply into the old teak. I lie my hands on the raw wood and stare at them for an hour. Maybe I fall asleep. Maybe not. The hour passes. My hands age. The skin tightens, the knuckles swell and thicken as the fingers lose their nimble dexterity. It doesn't show on the outside. I stare at them untill my eyes sting, but I don't see it. No-one could. But with every hour that passes - every minute and second - we get closer to the end. To the last walk into the night.
Mustn't dwell on it. Got to keep thinking positive thoughts. They don't know for certain. Think it through: They only found his jacket. The Legion is nowhere near the canal. There's no need for him to go anywhere near it. There was only a little blood. Dad was in the army. Old soldiers don't just fall into the canal.
I know; He was attacked on his way to The Legion. Someone attacked him, they fought and dad got a black eye and a bloody nose and lost his coat. His attacker ran away with it, went down to the canal to rifle through the pockets and throw anything incriminating into the water. Any moment now, dad will come staggering through the front door, singing his awful old songs, shivering in his shirtsleeves, wiping his nose on a scrap of bloody tissue and trying to roll a cigarette with one hand. He'll shout at me for sitting in his chair, and if he ever finds out that Bill sat in the parlour holding my hand then I'll really be for it, and it would all be worth it just to hear his voice. Even if he lapsed into German, which just makes him ever more angry because I don't understand it...
Except it's almost three O'clock and dad would never stay out later than midnight, even on a weekend. The Legion closes at half past eleven, and even in his worst states, it would never take him half an hour to make his way home. It's not like he's got any friends to visit. I don't think he ever did, even back in Germany.
I notice that a couple of my fingernails are starting to bleed. I've been scratching the table top; there are tiny splinters in my fingertips, under the nails. I can't feel them, but I can see them. Everything's numb. I bet I could take the bread knife and...
I see where the thought is heading and push my chair away from the table, legs scraping on the bare quarry tiles, screeching loudly in the silent night. I stand and head back into the parlour. The policeman smoked those terrible liquorice paper cheroots. The room reeks of them, the wet, twisted butts sitting in the ashtray look like miniature dog poops. I think of tiny poodles walking around the glass dish, doing their business, and I can't hold my laughter in any longer. After a good five minutes I realize that it wasn't laughter. I look up and find that I'm kneeling on the hearth rug, my face wet from tears which have soaked the seat of dad's armchair. I stood here, on this same spot, when I was a little girl, clinging to his trouser leg, listening to his stories. I didn't understand a fraction of what he was trying to tell me. Now I never will.
Back then, when I looked up at him, I saw a giant, his head in the clouds, with a booming voice and great rough hands that would scoop me up and lift me into the smoky nimbus which hung around his shoulders. We were in a different world up there. I can still smell the strange home mixed tobacco he bought from the old woman in Cooper Street. Sometimes there was a trace of cherrywood, sometimes something more like tar, sweet and rich or thick and black, all tangled up with the smell of his hair oil, the axle grease ground into his hands and the occasional nip of whiskey on his breath.
I crawl up onto the armchair, close my eyes and press my face against the worn material, breathing deeply. I can almost believe that he's still here. I can smell him, feel his warmth. I press myself into the indentation of his form on the cushions, trying not to think of the fact that it's a hollow, a negative space formed by his absence. For now it's enough to get me through the night.
I sleep, finally. The dreams respect my boundaries, for one night only. No silver stars, no burning fields, no steppenwolves or soldiers. Just oblivion. Peace. I sleep in the space carved out by my father's life, the echo of his arms around me, the ghost of his breath on my face. And then I wake to a new world.
The sun is rising and my father is dead.
Subscribe to:
Posts (Atom)